“And we’re not surprised that there was a great deal of reaction, and we consider that a very good thing.” After several TV appearances (including “Z Cars,” and a BBC play, “The Madhouse on Castle Street,” opposite none other than Bob Dylan), Warner appeared in the period romp “Tom Jones,” before landing the starring role in Karel Reisz’s 1966 comedy, “Morgan – A Suitable Case for Treatment,” opposite Vanessa Redgrave. In a 2019 New York Times interview, Kennedy defended her reputation for being at time “prickly” with editors. “For God’s sake, I’m not trying to win a popularity contest, I’m a cook!” she said. “There’s far too much mediocrity in this world, and someone’s got to say something.”
Dow was 12 years old when he started playing the older brother to Theodore “Beaver” Cleaver on the hit series that would quickly come to represent an idealized paradigm of mid-century American family life. The show ran from 1957 to 1963, and aired for decades afterwards in reruns. Dow reprised his role in a reunion movie and TV series in the 1980s. In a 2017 interview on CBS’ “Face the Nation,” in describing how the nation was living in “clearly a dangerous time,” McCullough discussed how America needed to learn the lessons of how it overcame a civil war, the 1918 influenza epidemic and the Great Depression, as well as winning two world wars.
In a 2018 interview with the Television Academy Foundationabout his experience on “Hogan’s Heroes,” he said he had no trepidation about appearing in the prison camp comedy given his personal history. “No, because it had nothing to do with my past. I was never a soldier. I was never a prisoner of war. I was sent to a concentration camp and lucky I survived, which is completely different. We were not human beings. The only reason we lived because they needed us to work in their factories. Otherwise they would have killed us all. Westwood hadn’t wanted to be a fashion designer; she’d started out as a primary schoolteacher.
While filming a program for PBS in the early ’90s he struck up a friendship over cigarettes and coffee with a production assistant named Paul Thomas Anderson. They began a collaboration with Anderson’s short, “Cigarettes & Coffee,” which was expanded into a feature-length film, “Hard Eight.” Hall would later appear in Anderson’s “Boogie Nights” and “Magnolia.” Philip Baker Hall (September 10, 1931-June 12, 2022) was a prolific character actor whose roles ranged from the tormented (a Shakespearean Richard Nixon in the solo film “Secret Honor”) to the absurd (the Javert-like inspector who hunts down a decades-overdue library book on “Seinfeld”). Thirty-nine years before Colorado legalized gay marriage, Clela Rorex (July 23, 1943-June 19, 2022) was a newly-elected Boulder County clerk when she was visited by a gay couple seeking a marriage license.
“It’s very easy to go out of balance and to become a product,” he said. “But music is so much more than entertainment, believe me. It’s an important human possession.” Though he received no formal training, he was playing the piano at age 4. (He claimed never to have learned to read music.) After forming a band with friends at age 20, he became a founding member of the Paris-based progressive rock group Aphrodite’s Child.
My song “Bury My Heart at Wounded Knee” is shocking to people who hear the list of facts around which the song is built. Therefore I deliberately wrapped the words in a hard-rock track, so that the listener is already caught up in the music before ever hearing the tragic story it tells about Anna Mae Aquash, Leonard Peltier and uranium exploitation on Indian lands. Although the information is factual, most audiences have had no previous exposure to the facts of grassroots Native America. Sometimes the system misses the boat, in spite of education and journalism, and a song can help. “Ten at night ’til five in the morning is a long time to be on the radio,” he said in a 2021 PBS interview.
“I saw the format I wanted in my head and then I started programming,” he told The New York Times in 2013. Two-time Tony Award-winning actor Robert Morse (May 18, 1931-April 20, 2022) was acclaimed for comedy, including his career-defining role as J. Pierrepont Finch, the brash corporate climber in “How to Succeed in Business Without Really Trying.” A comedic undercurrent also poured through his performance as the ruthless and eccentric senior partner of the Sterling Cooper Advertising Agency in the TV series does jersey mike’s have gluten-free bread “Mad Men,” for which he received five Emmy nominations. “In my case, I was unaware that I had post-traumatic stress disorder from pathological situations and issues passed down through generations, along with the traumatic events of my own life,” she wrote, describing her experiences of abandonment, sexual assault, and the death of a young sibling. The Judds ended their musical partnership in 1991 after doctors diagnosed Naomi with hepatitis C, which she had unknowingly contracted while working as a nurse.
A song can be a lens through which people can focus and see unfamiliar issues better. His friendship with Welles would lead him to take a role in Welles’ long-in-the-works drama “The Other Side of the Wind,” playing a protégé and fellow filmmaker opposite star John Huston. Begun in 1970, the film was unfinished at the time of Welles’ death, and remained in legal limbo for decades, until Bogdanovich and a production team rescued the negative, completed the film, and premiered it at Venice in 2018.